![]() They include echo rate, feedback, echo volume (mix), input volume, reverb dwell, and reverb mix. The controls themselves approximate the most vital RE-201 controls. There’s also room for two multi-function footswitches, one of which can be held down to simulate the self-oscillating feedback effects that are a Space Echo specialty. The knobs have a lovely resistance that enables you to turn them simultaneously and easily with one hand, all with a great sense of precision. The bigger enclosure makes the Galaxy ’74 a joy to operate in a hands-on fashion just as you might manipulate a real Space Echo. There is an upside to the larger size though. Running that algorithm requires an enclosure big enough to accommodate a powerful chip, keep it cool, and run at 9 volts. (The Galaxy plugin is my go-to echo, and often my reverb of choice when working in UA’s Apollo environment). The Galaxy ’74 pedal uses the same algorithm that drives Universal Audio’s superb Galaxy Space RE-201-style plugin, though the spring model is new in the pedal. ![]()
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